![]() ![]() ![]() Computer determines how many cameras you do and it can be quite a few. Multi-cam: I didn’t get to use this yet but works with footage of different frame rates (and sizes I believe) now. Colors the WHOLE CLIP not like FCP used to do with only the text portion.ĥ. Colorize Audio too and choose a particular stock audio library to color for easy detection later. You can colorize STOCK FOOTAGE for instance and at a glance see that you’ve used in the timeline. Find In Timeline sadly isn’t in this release though :-(Ĥ. See my previous FCP workflow video for why I like this. Duplicate Clip In Timeline: You can now duplicate and move the duplicate clip in the timeline with a keyboard shortcut and mouse move. You now just hold ALT/OPTION and drag copy into place. The extra audio is still there if you want to extend it out in the timeline - just hidden when you match from it unlike FCP7. ![]() The MERGE instantly appears in your bin as well and you can rename before and after as well. A checkbox can remove the scratch audio as well. You can merge from the slate marker on both, set an IN and OUT and MERGE them without even using the timeline. FCP marked the picture in and outs but you could have minutes of audio head and tails in there. An annoying bit with FCP was that if your audio is way longer than the picture you were syncing to and even if you trimmed it to fit the picture side it still remained when you loaded the clip into the viewer as handles. For double system workflows and you want to sync the good picture with the good audio (and lose the scratch audio as well) Merging clips works great. Merge Clip: Merge clip is way better than FCP’s. It’s still in Premiere 6 and that’s a feature I’m looking for.Ģ. I constantly use it to matchframe back and view source timecode of a clip very easily. It’s been a staple of editing (even before non-linear) and Apple made it go away. There’s lots of tech talk about Mercury Playback Engine and newest Premiere features out there to read this week but I just wanted to focus on stuff I like that won’t get mentioned as much.ġ. Originally being from AVID then switching to Final Cut Pro almost exclusively for years, I am obviously now looking for a way to replace what was great about Final Cut Pro as a tool that satisfied so much of my work with something else now that Apple killed that version/flavor of it. To use the plugins in Final Cut Pro 7, users are required to download the FxFactory 4.1.9 app.So as part of the trying a DELL to replace a MacPro experiment, I was also testing out the Windows version of Premiere Pro CS6 for about 6-7 weeks. Host support includes Apple’s Final Cut Pro X v10.1x, Adobe After Effects CC, Premiere Pro CC and Apple Motion 5.1. All plugins require a modern Macintosh computer running either OS X Mavericks 10.9 or Yosemite 10.10 with an ATI/AMD, NVIDIA or Intel HD graphics card with at least 512MB of VRAM. Full-featured FanFilmFX plug-ins retail at 19.00 USD. Pricing and Host SupportĮach FanFilmFx plugin offers a trial version and a limited-feature free version. ![]() Visit to download the FxFactory app and FanFIlmFX plugins. Special effects fans can look forward to the prospect of imitating their favorite effects from these franchises in the near future.Īll FanFilmFX plugins run on the FxFactory platform. The FanFilmFX and Dashwood duo is also developing additional VFX plugins that emulate other iconic films including Star Trek©, The Matrix©, Predator©, Back to the Future©, Ghostbusters©, James Bond© and Harry Potter©. Currently in development and due out in early 2016 are a second wave of Star Wars-inspired plugins from FanFilmFX featuring effects such as Space Visor, Holo Projection, Ghost Master, Starfield, Hyperspeed, Opening Scroll and End Credits. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |